Art Basel 2025, Art Basel Hong Kong
Art Basel Hong Kong 2025 will bring together 240 galleries from 42 countries and regions, including 23 galleries participating for the first time, presenting a rich variety of artistic practices and demonstrating the fair’s commitment to global diversity and regional representation.
More than half of the participating galleries are from the Asia-Pacific region, highlighting Art Basel as a vital platform that greatly promotes the flourishing of the region's art world. The week-long, rich public program both inside and outside the venue will further solidify Hong Kong's central position as an international cultural hub.
Founded in Hong Kong in 2006, Ora-Ora has quickly become a driving force for innovation and open expression. Our artists possess not only rigorous academic rigor and philosophical thinking but also a persistent spirit of exploration. Through interpreting and re-examining existing frameworks of thought, they strive to observe the world around them from unconventional perspectives. Ora-Ora believes in the power of cross-disciplinary collaboration, respecting ancient traditions while embracing the most contemporary and innovative art media. We have a long history of nurturing creative talent in Asia, earning widespread acclaim and growing steadily, representing artists from Asia, Europe, and the United States. We continuously broaden our horizons, establishing alliances and partnerships with institutions worldwide to promote our artists globally. Dr. Leung Tsui Kam-hei is the founder of Ora-Ora and a co-founder of the Hong Kong Gallery Association, which plays a leading role in fostering Hong Kong's diverse and thriving art ecosystem. 
"Top Dog" and "UPWARD" continue Huang Yulong's exploration of the intersection of street culture and hip-hop art, while also marking his first attempt at using Phoebe zhennan wood as a creative medium. Huang Yulong is adept at combining contemporary themes with traditional craftsmanship, and in these two works, he delves into the dynamic relationship between youth identity, resilience, and a sense of belonging.
Golden nanmu wood is highly valued in Chinese culture, renowned for its tall, straight trunks and delicate grain, with patterns resembling interwoven gold threads, grid lines, and mountain peaks. This choice of material not only reflects the artist's connection to their cultural roots but also echoes the themes of strength and endurance in the work.
Huang Yulong skillfully utilizes the unique texture and color of Phoebe zhennan wood. The wood's grain resembles the marks of time, guiding viewers to contemplate themes of identity, belonging, and self-discovery. By combining the core spirit of street culture with the natural beauty of Phoebe zhennan wood, Huang Yulong not only continues the vitality and freedom of street art but also infuses his works with deeper cultural and philosophical connotations. 
In *Top Dog*, Huang Yulong sculpts a seated figure wearing a signature hoodie. The hoodie, a symbol of street culture, represents both group identity and individual belonging. The figure's relaxed posture exudes an air of ease and freedom, while the natural texture and luster of the golden nanmu wood add warmth and depth to the work. This sculpture captures the duality of street life—both brimming with primal energy and containing the potential for introspection—while subtly paying homage to the enduring influence of traditional craftsmanship. The figure's confident yet approachable demeanor becomes a metaphor for youthful resilience and creativity, bridging the past and present. 
"UPWARD" centers on a standing figure, whose upright posture symbolizes strength and determination. The straight and continuous grain of the golden nanmu wood further reinforces the steadfastness and resolve conveyed by the sculpture. The figure's rounded contours and smooth surface create a sense of harmony and balance, inviting the viewer to engage in a silent dialogue about identity and community. Through this work, Huang Yulong not only celebrates the vitality of daily life but also reflects on broader human experience, exploring themes of perseverance and self-discovery. 
Nanxitang, a leading brand of heirloom art furniture made from Phoebe zhennan wood, has been gradually built over 27 years since 1998 by Hebei Nanfutang Technology Co., Ltd. Starting as a Phoebe zhennan raw material factory, it has expanded into a comprehensive service encompassing furniture, cultural artifacts, custom-made furniture, antique furniture, collectibles, and auctions. The Nanxitang brand's motto is "Using the preciousness of Phoebe zhennan wood to restore the true essence of art, allowing rare Phoebe zhennan wood to find its connoisseur, and ensuring the inheritance of millennia-old craftsmanship." In a fast-paced era, Nanxitang creates slowly, making each piece a work of art worthy of being treasured for generations. It promotes the culture and innovative development of Chinese Phoebe zhennan wood globally. 